On We got it from here… Thank you 4 your Service, Q-tip raps, “Talk to Joey, Earl, Kendrick, and Cole/ The gatekeepers of flow”. The last three MC’s he mentions made sense to me: Kendrick being the greatest alive, Earl Sweatshirt is the best lyricist of the progressive movement in hip-hop (sorry Danny Brown and Vince Staples), and J. Cole went platinum without any features. Twice. I had listened to Joey Bada$$ a little bit before I’d heard that line and from what I’d seen, his name wasn’t worth mentioning in this list. At that point, A$AP Rocky had done a much better job of representing the beast coast and Brooklyn’s Own was only 21; I needed a larger sample size to put him on such a pedestal. On April 7th, I got what I asked for and then some.
ALL-AMERIKKKAN BADA$$ is the album Joey Bada$$ needed to launch himself into the rap stratosphere. He’s given himself an identity with this project and personally, I think he has surpassed J. Cole as the penultimate voice in conscious rap. But before I get into that argument, I’ll quickly talk about the beat selection, production, and features: All fantastic. There isn’t a a song on here that I would scrap and I think each track shows a different side of Joey thanks to Kirk Knight and Statik Selektah, among the other producers on this project. As for features, Chronixx and Meechy Darko were amazing. While I think everyone on the project did an awesome job, those two were the only artists on the same level as Joey. Now that’s not to say no one went above and beyond Mr. Bada$$ because there was one artist who absolutely destroyed his feature. Like threw it in a body bag and dumped it in the Hudson. Of course I’m talking about Schoolboy Q on ROCKABYE BABY because that was some vintage, Oxymoron-style Q. The quality of this project was an absolute 10 out of 10 for me but there is one area that I think could use a little work: The substance.
I believe that this album is Joey’s good kid, m.A.A.d city or Born Sinner. For Kendrick and Cole, respectively, these projects cemented these artists as top tier spitters. They were able to communicate their observations of the world in a commercially and artistically successful way that people could relate to. They were bringing up real issues and were story-telling but they weren’t problem solving. As young MC’s, they weren’t going deeper just yet, giving us a look into why they deserved to be voices of a generation. We waited for 2014 Forest Hills Drive/4 Your Eyez Only and To Pimp a Butterfly/Untitled Unmastered to see how the newest, most prominent voices in hip-hop wanted to use their recently acquired fame. I think Joey did a better job than Cole in this first phase of rap stardom. He is starting to see the world as a 22 year old but can he start to lead his fans to the promised land, to a better AMERIKKKA? I don’t know but I’m damn excited to find out.