Twelve Reasons To Die

Dr. Cassells – Audio Rx

Twelve Reasons to Die, A fusion of opera and hip hop by Wu-Tang Clan’s Ghostface Killah and the composer of Black Dynamite,  Adrian Younge. The duo work to tell the story of Ghostface’s alter ego, Tony Stark, operating as a hit man for the De Lucas crime family and ultimately his transformation into the infamous Ghostface Killer. Ghost’s gritty rhymes are complimented by Adrian’s composition making the bloody drama that is Twelve Reasons to Die.

Ghosts heavy handed exposition works in his favor. It allows the listener to follow the story without having Rap Genius up through the album. Ghost wastes no time in introducing what Stark is capable of on the first tracks Beware of the Stare and Rise of the Black Suits.

I want bodies, DeLucas, spread into the waters
I want mothers and sons, I wanna murder they daughters
Revenge, all I see is blood in my eyes
Like the rise of your worst nightmare come alive
Ghostface Killah, let’s see who’s gonna survive

A lack of specifics allows your imagination to envision the atrocities Stark commits, the paranoia he feels as war erupts between the families, and the pressure that takes hold as he separates from the DeLucas family to lead his own operation. That paranoia is not unfounded as refuses to acknowledge threats he hears from his closest lieutenants.

How you prepare for war? Grab your guns and your hardware
Never close your eyes in the barber chair
The heart of a lion, that’s what got him here
Bulletproof the car, yo, we outta here

The tension escalates into the second act whereupon the seemingly invincible Stark falls from a betrayal close to home leading to his death. Lesser men remain dead, but the rage that lies in the villainous Stark resurrects him as the Ghostface Killer in search of redemption.

Colombian neckties I’m a black Gambino
Bodies get dumped in the black El Camino
It’s Reno, gangster wars, money, power, respect
Revenge is felt like the heat from a Tec
Tommy guns are irrelevant, I’m bulletproof now
I could fly through the air and duck your chick-a-pow
Black superhero, crime boss arch nemesis
Good vs. Evil since the first book of Genesis
Battle to the end that’s the way of the thriller
And Starks is reborn as the Ghostface Killah… no one could get iller

Ghostface’s internal monologue changes with his new persona. The macabre descriptions of his revenge are one of the highlights of the album. Drawing from his past works, he doesn’t fail to deliver a diverse catalog of violent obscenities.

First things first, I chop your head to your fingertips
Butcher knife your torso, chop up your ligaments
Make sure it’s legitimate, conceal all my fingerprints
Chop, chop your body up quick then get rid of it
A hole in the desert, body bag, just polluted it
Your miss was a snitch too? Shotgun killed the bitch
Leave her in the wilderness, suffocated and scarred up
Your brother want more too, blow his fucking car up

Stark fully becomes Ghostface Killer after murdering crime families responsible for his death. Pacing in his room he momentarily contemplates the punishment for his past love, and source of his downfall, before relishing his current state as the unstoppable force he has become.  

Unable to become immortalized in life
Ghostface became immortalized in death
Creating a mayhem so vast
That the tale of his rampage would be passed down for generations
Gangsters told their children to never double-cross a man
Who’s will is so strong that he can cross the planes of existence
To get his revenge
And there you have it
The story of the Ghostface Killah

The story is simple, but succeeds in delivering a narrative with just enough pulp fiction cheese to balance out the outlandish claims Ghost makes. Adrian’s production was essential in supporting the story’s gravitas. Young’s touch stands out on Rise of the Black Suits and Center of Attraction. The backing track on Rise of the Black Suits creates an air that I can only describe as sounding like a mature Scooby-Doo. The track’s use of piano and strings creates a sound that is both eerie and incredibly catchy. It is one of the biggest reasons I continue to return to the album. Center of Attraction’s mournful sound acts as a counterbalance to the relatively light hearted descriptions of Ghost’s love. The dissonance between the lyrics and the production act as an additional sign of the coming troubles to be found for Ghost at the hands of his love.

 

This album is special for it’s unique premise and execution. Listening to the album on a rainy day is like escaping into your favorite book. While not suited for casual listening, it comes with the tradeoff that given the time, immersion comes naturally. A venn diagram of  projects appealing to fans of hip hop, horror films, and classical music would proudly display this project at the dead center.

 

Label 12 reasons die

Author’s Notes: The album was later re envisioned by Apollo Brown on the “Brown Tape” and while not bad, I found that the change in production only deepened my appreciation for Adrian’s composition while also creating a need to listen to the original.

 

Youtube Stream

Arms and Sleepers Concert Reflections

Full disclosure, I had never heard any of the bands and as such, this was my first experience listening to all of them. The show started off later than I expected for Kilby Court with the group Soft Blonde. My hopes for an awesome show crumbled as the two men on stage before me began a warbling croon. This went on for several seconds until the real show began and reignited my hopes with an abrupt shift into their synth heavy music that set the crowd into a trance. Soft Blonde’s slower sounds set the stage for AudioTreat’s entrance. The producer of AudioTreats made the show by putting a ton of energy into his dancing and stage presence which enhanced their “Swanky Grooves.” The group fully came together when their singer took the stage, a 19 year old female vocalist who reminded me of Aluna George. Their performance was the highlight of my evening.

After the energy put into the show by AudioTreats I wasn’t as ready for the slower pacing of YEYEY. I appreciated the projections he brought that added to the music and he held his own. Continuing on, the main act of the night, Arms and Sleepers were perfect for the intimate setting that is Kilby Court. The connection between the band and the audience made hearing their tracks a memorable experience. I left with an afterglow and a satisfaction of hearing the new bands. All the bands I saw are worth a listen and seeing live, with a special emphasis on AudioTreats.

Arms and Sleepers

https://www.youtube.com/watch?v=LucQTHULdBs

https://soundcloud.com/arms-and-sleepers/swim-team

 

YEYEY,

https://soundcloud.com/yeyeyband/sets/yeyey-the-vision

 

AudioTreats,

https://soundcloud.com/audiotreatsproduction/scope

https://soundcloud.com/audiotreatsproduction/farewell-part-a

 

Soft Blonde

https://softblondemusic.bandcamp.com/track/i-should-go

CLPPNG

CLPPNG – Clipping

 

CLPPNG is an experimental project from the power electronic producers William Hutson and Jonathan Snipes. Their production along with the self aware raps of MC Daveed Diggs creates this aggressive and unconventional album that I absolutely love. The album starts off with an uncomfortably high note followed by a roar of static foreshadowing the albums approach to the balance between music and barely listenable sounds. Going in with an open mind is a must and even with that some tracks are hard to listen to all the way through. The track Dream has Daveed rapping over what sounds like water flowing obscured by white noise and drones on a little too long and the final track Williams Mix doesn’t attempt to be enjoyable. Despite this the highlights of the album, namely the ironic gangsta anthem Work Work, the provocative Tonight, and the stress inducing Story 2 make the album deserve a listen if you value experimentation. The high points nail a mood that you can’t find anywhere else.

Clipping

The album is the group’s second project following their first mixtape “midcity.” which I would only recommend if you absolutely need more noises in your life. The closest comparison to CLPPNG I can make in the realm of hip-hop would be Death Grips for also sharing a lack of attention to soothing noises.

 

Prescribed for: Boredom, DJ Mustard overdoses, and meth fueled listening sessions.

 

Side effects may include: General confusion, feelings of superiority, and an overwhelming desire to acquire recordings of power tools.