Performing Arts Building

The week on The Rostrum, we are doing something a little different. In partnership with The Daily Utah Chronicle, K-UTE is launching a new investigative podcast called Floodlights. The show will be an in-depth interview with The Chronicle’s student journalists discussing their investigation into an issue on the U of U campus.

To kick things off we are talking with Jaycen Eggleston who has been investigating the Performing Arts Building on campus, and its problems as a learning environment.

Article: http://dailyutahchronicle.com/2017/12/05/chilling-state-us-arts-buildings/

Music: http://www.bensounds.com

Photo: Adam Fondren

Dorm Days Episode 17 – “GnomeCast”

Welcome to the Gnome Cinematic Universe. In this 17th installment of sober belligerence, the boys talk about 8-bit music videos, sex movies with plots, and gnomes. Lots and Lots of gnomes.

Listen to this episode, past episodes, and more wonderful content on K-UTE’s website! kuteradio.org/category/talkshows/dorm-days/
Add us on Snapchat!! @DormDaysMedia
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Youtube: www.youtube.com/channel/UC2dfoRiU0nsbyM66BxQ50wg

Album Review: Polygondwanaland by King Gizzard and the Lizard Wizard

One problem that I have with the music industry is how commercialized it has become. Concert prices are going up and band tees are 50 bucks a pop. Meanwhile, record companies are making billions and artists are losing creative control.

Some bands, like King Gizzard and the Lizard Wizard, are combatting this epidemic. The Australian psychedelic rock band released their 12th studio album and 4th this year, Polygondwanaland, on November 17, 2017. The marvel of this record is it is 100 percent free.  On the band’s website, they say this album is “free to download and if you wish, free to make copies.” They have put up a link to the mp3 files and the CD and vinyl masters. King Gizzard says, “we do not own this record. You do. Go forth, share, enjoy.”

Polygondwanaland is a made-up word referencing multiple different things. Gondwana was 1 of 2 supercontinents that formed Pangea. It consisted of Antarctica, South America, Africa, Australia, the Arabian Peninsula and the Indian subcontinent. Polygon might reference their album Nonagon Infinity which pictures a polygon with 9 sides. Many of their albums exist inside the same interconnected universe and reference each other. Polygondwanaland uses polyrhythms, uncommon time signatures, and takes you on a journey to a mysterious land.

“Crumbling Castle” is the 10-minute opener. Several of their other albums, including I’m in Your Mind Fuzz (2014) and Murder of the Universe (2017), depict castles in the artwork. Descending guitar and vocals alternate between playing in unison and stagnated with complex polyrhythms. Guitar and flute solos take you up and away as they begin to enter the new world of Polygondwanaland. The lyrics are dark and gloomy. Stu Mackenzie sings, “we wait for our death… our extinction.” This is a heavy epic opening that sets the tone for the rest of the album.

“Polygondwanaland” begins with groovy drums and bass. They talk about climate change and how it will create a new world. They sing, “Snow melts… it will get hot.” Perhaps polygondwanaland is the new world that will be formed after the climate settles down. Mackenzie hopefully sings, “we’re gonna get there.”

Each song transitions seamlessly between one another. They tell a single story and build off each other. Spoken words by Leah Senior narrate the story and propel the album forward. Synth interludes give the impression of time traveling. Relentless drums drive us into “Deserted Dunes Welcome Weary Feet” where we learn that polygondwanaland is full of dinosaurs.

A theme of this album is gods and devils and the battle between good and evil. “Loyalty” is about a god whose people revolt against him. He chooses to make an example and show his wrath until he gets his loyalty. “Horology” takes you “to the ninth circle of hell”. They sing about a demon creature the walks across the land with death.

The last 3 songs touch on the theme of tetrachromacy, which is having 4 distinct cone cells in the eye. This condition is seen in many birds, fish, and other animals. Humans only have 3, which is why we see 3 primary colors. Millennia ago, all mammals were tetrachromats but it has been genetically phased out over time.

“Tetrachromacy” introduces this idea of a fourth color that humans have ever seen. They become curious about this color and “lust to see the invisible”. “Searching…” is the mysterious transition. Mackenzie sings, “Doctor please… I want to see the world differently.” The surgery is successful. They can now see “The Fourth Color” and it has granted them god-like powers. They can “see through walls… your terror… [and] the future.”

King Gizzard and the Lizard Wizard has delivered another stellar album with Polygondwanaland. The use of strange rhythms and time signatures creates a unique sound and music that is anything but boring. The albums complexity and connectedness transports you into a new world as all good psychedelic albums should. Free music is a futuristic idea and one that I can get behind. King Gizzard has promised another album this year, so all we can do is eagerly await as they explore new musical ideas.

What’s on My Playlist #4

For most college students, the workload at school ramps up around now. As Thanksgiving is the time of year people give thanks, I want to take the opportunity to give thanks to the music that keeps me going during these busy times.

“Arisen My Senses” by Björk

Björk’s newest album Utopia just came out and oh boy, one track in and it’s already a doozy. Gone is the gloom her beautiful album Vulnicura inhabited, replaced by an air of euphoria and ecstasy. Readily as ever, she wraps her voice around sweeping arrangements of synth and harp, recalling her previous work on the spectacular Vespertine. I’ll be reviewing the album in full soon, so stay tuned, but I can definitely say Utopia is off to a fantastic start.

“Dum Surfer” by King Krule

I mentioned this song in my article on records you can find at Graywhale; needless to say, it’s a spectacular take off King Krule’s new album The Ooz. If Archy’s distinct vocals or the layers of atmospheric effects don’t immediately pull you in, the saxophone definitely will. It’s the kind of tune that’s immediately catchy but has enough layers to keep your interest long past first listen.

“List of People (To Try And Forget About)” by Tame Impala

Speaking of music I’m grateful for, Tame Impala released a collection of b-sides and remixes that pleasantly surprised me. “List of People” in particular boasts the best qualities of band’s last release Currents plus some; it sports the same brilliant production and killer drumlines from Currents in addition to one of Kevin Parker’s best vocal melodies. The song has time to breath too, with a tasteful, understated ending that assures I won’t forget about this song anytime soon.

“If She Wants Me” by Belle and Sebastian

Understatement also happens to be a particularly appealing quality of Belle and Sebastian. Rather than dipping in and out of understated passages, however, the band sits in them. The resulting music feels deeply intimate, like stepping into a room with the band itself. Despite this, “If She Wants Me” is a big song for Belle and Sebastian, touting an organ and a majestic accompaniment by violins, creating a song both grand and charming.

“Extrasolar” by Baths

After reading a fascinating article about Baths on Kotaku, I decided to give his newest album Romaplasm a listen. While the whole album is an enjoyable listen, “Extrasolar” immediately caught my attention. Pianos chime and strings stir in the back of the mix, building into beautiful crescendos. Atop the instrumentation, Will Wiesenfeld creates beautiful harmonies with his vocals. “Come what may, we’re on our way” he sings over the chorus, a fitting mantra for getting through the end of the semester.

The Magic Of Music: Sam Lachow

Sam Lachow is a producer, songwriter, rapper, videographer, director, and editor of video and music.

Raised in both Seattle and New York City he’s been making videos since elementary school, and as a seventh-grader began a group called Shankbone. Sam began directing and producing music videos with Shankbone and went on to create videos for various other artists.

 

Then in 2011, Sam released his debut project as a solo artist, “Brand New Bike”. Produced entirely by Sam, the album utilized many live instruments from musicians based in Seattle and New York. The next year Sam released 2 EP’s and produced/directed dozens of music videos from the projects on his YouTube channel, which now has over 7 million views.

I had an amazing chance to attend his show with Rittz when they rolled through the Complex on November 9th to talk about his successes within his music. Check out the interview below!

First off, how are you doing? 

I’m doing so good, man! We just had a really great show at the Complex. The crowd was amazing – it was fun!

Glad to hear that! Do you like Salt Lake City?

I actually really do! I don’t like the weird laws, but it’s a beautiful place. The crowd’s always turnt up.

What inspired you to get into the rap game?

It started out as a complete hobby! In 6th grade, I started a band called Shankbone – it was me and two other Jewish kids because a shank bone is a Jewish dish! Then people started really liking it and that’s when I realized I was good at it. So I just kept doing it and then I went to college in New York, and at the same time, I knew I wanted to make music for a living.

When you got into rapping, were there any musical instruments that inspired you to do what you do now? 

I’m a drummer! I love live music so in my beats, I try to incorporate live music. But I’m not really good at any instrument, so I hire people that are really good at them and I tell them what I want. I was lucky to go to a high school where there was a great jazz band, so I know a bunch of incredible musicians.

Growing up, which artists did you look up to? 

For rappers, I’m a big flow man – lyrics are great, of course, but I’m into the flow. For example, you can’t write a good drum solo. I would say I look up to Notorious B.I.G. and Andre 3000! I also love Devin the Dude, who’s not as known, but his beats inspire me a lot.

Touring with Rittz, how does it feel? How did you gain the opportunity to join this tour? 

It’s not the most entertaining story, but we found out Rittz was going on tour and he doesn’t have a big following up in the Pacific Northwest, but my following up there is big. So we struck a deal with him that if I went on the tour, we would bring a shit ton of people out to the Pacific Northwest shows. Meanwhile, he has a huge following down here, and we had never met, we just talked online! But we decided to do it! He’s a cool dude though! He’s been in the game for a long time and he’s got amazing stories. I’ve been learning a lot from this tour!

Out of all the songs you produced, which one would you say is your favorite and why?

I go by what I still tolerate and listen to because I’ve heard my songs so many times. I love “Dreams of Gold” though because it’s just really good! I remember making it by a collaborative effort and it was a good time in my life!

If you were to give an aspiring rapper a piece of advice, what would you say to them? 

Make sure that it’s a complete passion! It can’t be something you’re doing because you want to become a famous rapper because that’s one in a billion. You have to do it because you love doing it. I would do it even if I wasn’t making a living for it. It would be something I would do all the time. Don’t think about making a bunch of money because fans can tell if you are making real music or if you’re just trying to be a “rapper”.

What was the most recent TV show that you binge-watched?

Curb Your Enthusiasm! It’s my favorite show! People compare me to Larry David a lot because random shit will annoy me. My dad reminds me of, Larry David!

Give Sam Lachow some love and follow him on all his social outlets!

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