Elijah White, a member of the Psychedelic Rock band known as The Wednesday People joins K-UTE in a discussion of the jaw-dropping music they create.
Jack Mitchell, a local singer/songwriter from the band Upcharm joins Morgan Parent in a discussion of music, inspirations, and upcoming shows.
K-UTE Radio’s very own DJ Dum Dum Boy interviews the independent singer-songwriter, Scurrow Scurrow the Squirrel.
Almost a year after the release of his sophomore album, Parachutes, Frank Iero has come out with his newly anticipated EP, Keep The Coffins Coming, on September 22nd of this year.
The four-track EP is short, sweet, and serves as a perfect transition piece between Iero’s first album, Stomachaches, and his second album, Parachutes. Because both albums had very different styles, it almost felt like something was missing in between the two. In an interview with Iero, he tells K-UTE:
“What’s really cool about it [Keep The Coffins Coming] is you really get to see the progression from this project–from Stomachaches to Parachutes– it’s very much a stopgap between those two…”
As a result, Keep The Coffins Coming gives listeners a more cohesive bridge between the two albums, while still being able to stand alone in its own musical capacity.
Fans and followers of Iero’s work might recognize a few tracks from the EP such as “I’m a Mess” and “BFF,” but it also has two new songs: “No Fun Club” and “You Are My Sunshine.” Even though “I’m A Mess” and “BFF” are from previous projects, there’s definitely a unique difference in the EP that makes it worth listening to. The most notable difference is that the EP was produced by the famed Steve Albini, who has worked with artists like Nirvana and Pixies.
Frank talks about the inception of Keep The Coffins Coming and working with Albini, saying:
“In between the end of touring on Stomachaches and the finishing writing on Parachutes, there was this time where we were discussing ‘What’s next? Where do we want to go from there?’, and I remember sitting down with my manager Paul and we just kind of made a list of all these things I wanted to do and people I wanted to work with, and one of the names that came up was Steve Albini.”
Working with Albini had also been one of Frank’s dreams for a while.
“Paul asked how long I’d wanted to work with Steve and I was like, ‘Since I was, like, 11!’ I wanted to make a Steve Albini record! Paul said he’d call him and I was like, ‘You can’t do that… that would be weird. Don’t do it.’ And he was like, ‘That’s my job!’” Iero tells.
With only 3 days to record in Chicago, Keep The Coffins Coming was created.
Musically, the EP has a clearer and less distorted sound compared to Iero’s other albums. Also, the fact that it was recorded in such a short amount of time, gives it a more intimate and relaxed sound. Fans of Frank Iero and the Patience will love discovering the nuances of the older songs and hearing the new songs for the first time. And those who have never heard Iero’s music before will find Keep The Coffins Coming to be a perfect introduction to the band.
FRANK IERO and the PATIENCE Tour Dates:
11/17 – Cleveland, OH @ House of Blues *
11/18 – Grand Rapids, MI @ 20 Monroe Live *
12/01 – Baltimore, MD @ Rams Head Live! *
12/28 – Huntington, NY @ The Paramount **
12/29 – Worcester, MA @ The Palladium **
12/30 – Sayreville, NJ @ Starland Ballroom **
* w/ Descendents
** w/ Thursday & PUP
“Keep The Coffins Coming” – Full Track Listing:
1. I’m A Mess
3. No Fun Club
4. You Are My Sunshine
Hailing from Mexico, the duo of Boombox Cartel, aka. Jorge Medina and Americo Garcia, have been making waves and taking names for the last few years; including putting on a stunning performance on the main stage at Ultra Music Festival in Miami, FL. Earlier this year, the duo took a hiatus. However, they don’t call it a comeback, saying ‘The Cartel never left…’ They exploded into 2017 with their release “Jefe” and have been taking dance floors by storm ever since!
The first time I saw these two live was at Foam Wonderland 2016 in Salt Lake City, UT, where they opened up for Brillz and Borgeous. I had never heard of this duo before, but they took me away by storm when I heard their first drop. I knew that these two had potential and that they were going to get huge in the EDM world… and I was right! With that being said, I had an incredible chance to talk with Amerigo, himself, and chat about his love for music and how the cartel all came to be!
Amerigo and Jorge are both Mexico-based while Amerigo was first born in South Texas, then moving down to Monterrey in Mexico, where he and Jorge first met and attended middle school, high school, and even college! It was shortly after when Amerigo and Jorge moved up to Minneapolis, Minnesota to attend music school, where they then joined forces and decided to make music together. However, Jorge does not have an American visa, so he cannot perform at shows in the states just yet, but all of that is currently in the works.
They decided to name themselves ‘Boombox Cartel’ because it was just a bunch of stoner music kids creating ideas. “They were all like, ‘you guys make music, y’all are like a boombox and then you two are from Mexico, y’all are like the cartels’”, says Amerigo from Boombox Cartel. “It was super dumb but we stuck with it and decided to make music under that name!”
After the ‘Boombox Cartel’ was named, Amerigo and Jorge started sending their music to everyone: blogs, DJ’s, other producers, etc. along with spreading the word locally. “All of a sudden, our music became international,” says Amerigo. “You just have to start small – be passionate about your art keep pushing your limits!”
Ever since then, the boys have been headlining shows since 2012, and then states that it is easy to headline your own show. “You just make music and put it out, and eventually, you will get booked,” says Amerigo. “Headlining shows is fun – it doesn’t matter what time your set is or even who you are, it’s just all about the music.”
Boombox Cartel has recently released their latest EP, Cartel, where it consists of a group of work of two-and-a-half years! Amerigo says to imagine fifty songs and then having to eliminate forty-five of them. “It wasn’t hard to narrow it down, however, because there were ones that stood out and felt the best,” says Amerigo.
Amerigo then states that his favorite song off the Cartel EP would be “Phoenix”. “It doesn’t consist of just the drop, like what you usually hear in most EDM music,” says Amerigo. “It’s just a song that takes you somewhere! It’s also very fun to listen to, not just in a club, but at home or basically anywhere.”
This week on The Rostrum we have Tiffany Anderson, University of Utah alumni and author of the book Butternut to Bionic: A Resource Guide to for Hip Replacement Surgery which details her encounter with a mysterious illness, brush with death, two hip-replacement surgeries, and her physical and mental health recovery. We also discuss her thoughts on U.S. healthcare and the benefits of preventative and holisitic approaches to health.
This month on InQueering Minds, Andrew Hayes interviews Dr. Lynn Deboeck about her research into the feminist analysis of pregnancy and maternity in drama. They discuss how the idea of pregnancy and maternity can be queered by exploring more diverse stories of gender, sexuality, and identity.
This week on The Rostrum we sit down with Sean Pica, Executive Director and a founder of Hudson Link for Higher Education in Prison. This organization connects incarcerated people with a college education, life skills and entry support to positively impact theirs lives and communities. We discuss why these programs are important, the problems in are carceral system and how students can get involved.