Skalloween 2018

Neighbors have decorated their houses and lawns with skeletons and ghosts. Stores have candy stocked constantly. Horror movies are being released in theaters left and right. The Tower is playing Rocky Horror Picture Show! All of this means Halloween season is upon us, and in full swing! But you’re a music fan at heart. Where’s your Halloween hallmark? Don’t fear the reaper, because Skalloween has you covered!

Skalloween

…is an annual concert featuring four local Ska Punk bands — The Gringos, Scheming Thieves, The Anchorage, and Show Me Island. Each captures the sounds of ska, from jazz to reggae to rock, in their own way. The Gringos vocals evoke the scratchy sounds of jazz lounge singers. Scheming Thieves embody Ska music’s early 2000s pop-punk influences. The Anchorage brings the moody sounds of hard rock and emo to their wonderful brass. Last but certainly not least, Show Me Island is for the classic Ska fans. Their walking bass lines, composition, and lyrics will remind you of your first time listening to Madness or The Specials, but with a female vocalist!

The bands dress up too!

At Skalloween, everyone dresses in costume, dance and mosh together for a night of trumpet and bass-fueled fun. If you love Ska music, this is absolutely your place to be. You’ll be right at home in Skalloween’s pits that are full of moshing and skanking. Almost everyone there is dressed in costume, so if you’re looking to display yours before halloween, you’ll fit right in. Even if you’ve never heard of Ska, you’ll probably still love it because everyone else is having so much fun. Ever since I was introduced to this show, it’s been my favorite concert every year. I think every music fan should make it a tradition to go to this concert.

Skalloween takes place this year on Oct. 20 at the Beehive (666 S. State Street) @ 7:00 p.m, $7 at the door. I’ll be there, and I hope to see you too! Dress up and bring all your friends!

Salt Lake Hip Hop: Agustist King

On September 13th, Hip Hop Drip DJs StavoSteelo and KyleInPlay had the pleasure of interviewing the up-and-coming SLC rapper Agustist King. King is a Salt Lake City native, hailing from the Central City neighborhood. He reps his own label called Independent Money Gang.

King has been seriously rapping for the last two years. He has recorded over 200 songs and released more than 50 of those. He works on numerous projects and releases them on all streaming services. Some of his projects include West Coke, Valentine’s Day Massacre, and Nirvana.

The Interview

Agustist King had much to say about his life, music, and reasons why he raps. However, those are only a few of the topics discussed in this 30 minute interview. It’s chock full of interesting content from a rapper that’s as real as he says he is.

Click the link below to listen to our interview with Agustist King. Be sure to follow him on his social media accounts @agustistking (instagram) and @agustistk (twitter). If you like what you hear, check out his website agustistking.com and Soundcloud. His Spotify and Apple Music profiles can be found searching his name, Agustist King.

Listen to the Hip Hop Drip radio show every weekday from 4-7pm to get your daily fix of quality hip hop from local Utah artists and the biggest stars in the game right now.

Songs from interview:

“Park Place Carter (Fiyah)” – Agustist King

“Off The Scale” – Agustist King

“Down” – Agustist King

Reflections of a K-UTE Freshman

Starting a new year at the U

Geoff & Sage (me)

Hello! My Name is Sage Holt, I am a brand new Freshman here at the University of Utah.  And I would love to share my experience working for K-UTE Radio as DJ Bug Bite. Before I jump into it, I feel you should know a little bit about me. Just like many of the incoming students, I was nervous, terrified, and also excited to start college. Like many others, I had little to no friends at the U,  I did what any logical person would do trying to make friends; I signed up to rush. (a choice i’d soon regret). 

DJ Dum Dum Boy

Here Comes K-UTE

Not even halfway through rushing I got sick and had to leave thereby excluding me from being able to join. But little did I know I already had a family on campus, I had just yet to realize it. As a kid I remember my mom always telling me that the friends you make in college are the friends you keep for life. And as a freshman new to the scene of the college radio station, I was meeting people left and right, each one kind in nature with a character all their own.

Gary Potter & Father Cactus

People who would help me and guide me, as if they were my family. Brothers who would protect me and sisters who would lend a shoulder if needed.  Working for the radio has also given me a voice to be heard in the college community, a voice to share my thoughts, ideas and perspectives with my fellow students. Due to K-UTE Radio, I will not be just another student in the classroom. I will have left my mark on this campus as all of us should. Little by little I have come to see that these people have become so much more than my producers, managers and interns; they are some of the greatest friends, giving me memories to last a lifetime.

Love Your Art? Walk Away From It

I’m writing this for artists. If you’re at a point where it doesn’t feel right, isn’t working, you’re lacking inspiration, I want to give you this piece of advice; walk away. Just walk away. That may sound counter intuitive to everything you’ve heard or felt but, if you’re stuck, I encourage you to walk away.

I’m an actor. Was an actor. Am an actor again. I studied, trained and have worked in a variety of venues from theme parks to Shakespeare festivals, from film and TV to voice over and commercials. I am not famous, that was never the goal. If that were to happen I wouldn’t mind at all however, I didn’t get into this thinking, I’m going to be famous. I got into this hoping I could be a working actor. I am a working actor. Those in the business know this term and understand that it’s not a bad place to be. I pay my bills, fund my entertainment, buy my bourbon by acting. I’ve done it for about 30 years and it was wonderful. Then it wasn’t.

 

A Working Actor

Let me explain the working actor thing for those of you who are not in the business or don’t have a connection to it. We see movie stars on screens and sometimes we see them on stage. We see stories about them in the news and images of them in fine fashion on carpets of red and in sleek cars and swanky houses. That may be the only image you have of actors. But, it’s a very limited view.

There are actors, good actors, great actors, inspiring actors all over the country who never achieve national fame. There are fine actors in your local theaters, in regional theaters all over the country. These actors are working actors meaning, they go to rehearsal, put up the show, run the show and move on to the next gig.

Now and then, they may get a role in a film, a guest shot on a TV show and that’s great. Most of the time working actors spend their lives going to auditions, (many, many auditions), getting cast, doing the job and going on to the next job. If you get three or four plays a year, maybe a few guest shots, a few small films, or, wow, a national commercial, then you’re doing well. You’re getting insurance, your pension is being paid into and you don’t have to do a day job. That’s the goal of the working actor. They’re everywhere and they are the backbone of the American theater. I have been very lucky to count myself among them for a long, long time.

 

It Just Wasn’t Working Anymore

Photo Credit: Nick Hidalgo

One day, it changed. I’m not 100% sure of what triggered it, I’m not sure of exactly why it happened but, one day it just didn’t work any longer. The joy I got from starting a new show, doing a rehearsal, discovering the depths of a character, creating a life with other actors, wasn’t fun. It was frustrating and making me angry. I was coming home from rehearsal and complaining to my bathroom mirror about this actor or this director.

First I stopped being generous in scenes, then I stopped listening. I was just angry all the time. My agent was sending me on auditions and I was giving excuses why I couldn’t do them. I had no real excuse, I just didn’t feel like standing in the room, reading what I thought were poorly written scripts and hopingfor the three line gig in a bad movie. Everything that I enjoyed about being an actor was making me angry and lost. I was making myself sick, and as a result I caused the actors I worked with some level of pain.

“Why not stop?” a dear friend asked me and my reply was interesting, if only to me. I didn’t say “No, I can’t.” I didn’t say “No, it will get better”. I said, “You know, I have good mind to do just that, just stop and see what happens.” I didn’t understand the sheer arrogance of that statement until a few months later but, it was symptomatic of how I was feeling at the time.

The real reason I didn’t want to stop, even though it was clearly killing me, was because I didn’t know who I would be. For most of my life I was an actor. People at parties would ask that terrible question; “So, what do you do?” and I was always ready with “I’m an actor.” I defined myself, my existence, my very being with the phrase; “I’m an actor”. If I stopped, who, what would I be? I also had this stupid notion that if I stopped the theater world would crumble without me. Let me stress again, I am not famous so, if I stopped nothing would happen. I just didn’t want to believe that.

Then, it just got to be too much. I stopped because I was too angry, too unhappy, too sick. I called my agent and told her I was stepping away. No one else knew, I just stopped. I did what my parents had always wanted me to do, I got a “real” job and I started living a very different life.

Photo Credit: Austin Chan

I noticed two things immediately; one; I was a lot less angry. And two; nobody gave a rat’s puckered ass that I quit. No one called and begged me to return. No theaters closed and put up signs saying: due to my retirement this theatre sees no reason to continue on. Movies were made, plays were produced and no one cared that I had quit. Oh, I was upset at first, how could they and don’t they know who I am, what I have done?

After a few months I really started to enjoy going to an office and doing a regular job. I liked having full weekends off. Actors usually get one day off per week. I liked being in my apartment all the time and not having to go off to a theater for 8 weeks and then come back and then go. The holidays were enjoyable, I liked spending the time with people I knew and not cobbling together an “orphans” Thanksgiving because I was on the road. I enjoyed having the life I had always shunned and avoided because I was an actor and being an actor meant you have rules. An actor does this and an actor sacrifices that and …. Blah. I realized, just like no one really caring that I quit, that no one had imposed these spartan rules about acting on me, but me.

 

A Year Off

I had given myself a time frame. I had decided that I would step away for a year. That was a big deal. I had never gone more than a month without a gig so, a full year was going to be tough. After the first few months, I didn’t miss it. I spent time with people who weren’t actors and had nothing to do with the business. I read a lot more. I learned a new skill. I got a steady paycheck. I went places on weekends. I lived a very different life.

Now and then I wondered if I’d ever go back, wondered if a year away would make me forget everything I had known but, those were fleeting thoughts. When I met new people and they asked what I did I would answer; “When” or “Why, what have you heard?” Sometimes I’d say something like, “Well, last night, I took this cooking class.” I stopped defining myself as my job, as an actor, as a profession. It was great. I felt free I felt new— I felt human.

I had told my boss my story when he first hired me and I let him know about my one year timeline. He was fine with that. When my year was almost up, out of the blue, I got a call from a director I had worked with several times and he asked me to do a show with him. I surprised myself with my initial response. I said, “I’d have to think about it, I have a regular job and I really don’t know if I could act again”. He was as surprised as I was. Normally, I would have said yes before I even heard the full offer. I have to think about it was not at all what he was expecting. I talked with my boss and he said the greatest thing; “Why can’t you do both?”

 

“Why Can’t You Do Both?”

Simple question but one, a year ago, I would never have entertained. Do both? Well, if I did both what would I be? Would I be an actor or a copywriter? Do I have to redefine my title. Would I have to do one of those, well, I’m really an actor but right now … things? All the things that would have hung me up a year before suddenly didn’t matter. I asked, can I work remotely, he said yes, I called the director, took the gig and that was that.

Photo Credit: Peyman Naderi

I was thrilled to be back in the room. Rehearsals were enjoyable again. I was happy to be back, exploring, creating and acting again. The big difference, I didn’t define myself as my profession any more. It made things easier. It made me happier. I wasn’t holding on so tight, I wasn’t keeping myself to some unwritten set of demands that I had to adhere to to be an actor. I was just doing it.

When the contract ended I returned to my office and it was great. I was happy to be back, happy to have done the show. I was happy. That was something I had missed, being happy. Shortly after my return I called my agent and she put me back in rotation. I went back to auditioning, feeling much more free, much more present. I was no longer getting crazy over the quality of scripts or the behavior of other actors, I was just present and happy to be so.

Walking away from my art was the best thing I have ever done in my life. Stepping away fully, starting a completely new career, not defining myself by my occupation, was healing and eye opening. I learned more about myself, what I was capable of, what I had limited myself to and what I wanted, than I ever imagined. I’m acting again. At the time of writing this, I’m getting ready to head off to do “Waiting for Godot”. I’m still working as a copywriter as well. I’m not defining myself as one thing. My acting is better. I am happier and I am curious in rehearsal again. I love the art again. And, I didn’t lose a step. All my training and time didn’t just vanish. I wasn’t starting from square one, but I was feeling like a student again and that is wonderful.

Walk away. Just leave it for a month, six months, a year. Do something else. Find out who you really are when you don’t define yourself as your occupation. Don’t worry, it will be there when you return. The world will be there. You’ll recognize it but, you may not recognize yourself.

Photo Credit; Hailey Kean @keanyefoto
Paul Kiernan is a writer/actor/eater of foods. He lives in Salt Lake City, and when he’s not acting he hangs his hat at ThoughtLab.

The Magic Of Music: Sam Lachow

Sam Lachow is a producer, songwriter, rapper, videographer, director, and editor of video and music.

Raised in both Seattle and New York City he’s been making videos since elementary school, and as a seventh-grader began a group called Shankbone. Sam began directing and producing music videos with Shankbone and went on to create videos for various other artists.

 

Then in 2011, Sam released his debut project as a solo artist, “Brand New Bike”. Produced entirely by Sam, the album utilized many live instruments from musicians based in Seattle and New York. The next year Sam released 2 EP’s and produced/directed dozens of music videos from the projects on his YouTube channel, which now has over 7 million views.

I had an amazing chance to attend his show with Rittz when they rolled through the Complex on November 9th to talk about his successes within his music. Check out the interview below!

First off, how are you doing? 

I’m doing so good, man! We just had a really great show at the Complex. The crowd was amazing – it was fun!

Glad to hear that! Do you like Salt Lake City?

I actually really do! I don’t like the weird laws, but it’s a beautiful place. The crowd’s always turnt up.

What inspired you to get into the rap game?

It started out as a complete hobby! In 6th grade, I started a band called Shankbone – it was me and two other Jewish kids because a shank bone is a Jewish dish! Then people started really liking it and that’s when I realized I was good at it. So I just kept doing it and then I went to college in New York, and at the same time, I knew I wanted to make music for a living.

When you got into rapping, were there any musical instruments that inspired you to do what you do now? 

I’m a drummer! I love live music so in my beats, I try to incorporate live music. But I’m not really good at any instrument, so I hire people that are really good at them and I tell them what I want. I was lucky to go to a high school where there was a great jazz band, so I know a bunch of incredible musicians.

Growing up, which artists did you look up to? 

For rappers, I’m a big flow man – lyrics are great, of course, but I’m into the flow. For example, you can’t write a good drum solo. I would say I look up to Notorious B.I.G. and Andre 3000! I also love Devin the Dude, who’s not as known, but his beats inspire me a lot.

Touring with Rittz, how does it feel? How did you gain the opportunity to join this tour? 

It’s not the most entertaining story, but we found out Rittz was going on tour and he doesn’t have a big following up in the Pacific Northwest, but my following up there is big. So we struck a deal with him that if I went on the tour, we would bring a shit ton of people out to the Pacific Northwest shows. Meanwhile, he has a huge following down here, and we had never met, we just talked online! But we decided to do it! He’s a cool dude though! He’s been in the game for a long time and he’s got amazing stories. I’ve been learning a lot from this tour!

Out of all the songs you produced, which one would you say is your favorite and why?

I go by what I still tolerate and listen to because I’ve heard my songs so many times. I love “Dreams of Gold” though because it’s just really good! I remember making it by a collaborative effort and it was a good time in my life!

If you were to give an aspiring rapper a piece of advice, what would you say to them? 

Make sure that it’s a complete passion! It can’t be something you’re doing because you want to become a famous rapper because that’s one in a billion. You have to do it because you love doing it. I would do it even if I wasn’t making a living for it. It would be something I would do all the time. Don’t think about making a bunch of money because fans can tell if you are making real music or if you’re just trying to be a “rapper”.

What was the most recent TV show that you binge-watched?

Curb Your Enthusiasm! It’s my favorite show! People compare me to Larry David a lot because random shit will annoy me. My dad reminds me of, Larry David!

Give Sam Lachow some love and follow him on all his social outlets!

Facebook

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Hoodie Allen Hypes Up The 801 Crowd Sunday Night At The Complex

Straight ‘outta Long Island, New York, Steven Markowitz, aka. Hoodie Allen made a stop here in Salt Lake City to hype up the Utah fans on his “Hype” Tour.

The night involved lots of creative raps from friends, such as Myles Parrish and Luke Christopher, who are on the Hype Tour with Hoodie. Altogether, it turned out to be a lively night for the young fans in attendance.

The first act of the night was 25 years old, Myles Parrish, from California. Myles used to be active in the duo, Kalin & Myles, most known for their tracks “Love Robbery” and “Trampoline”. When he first came on stage, I couldn’t recognize him and I thought that he was just the average teenage boy wanting to pursue a rap career, but was succeeding at it. However, when he started to perform “Trampoline” on stage, I immediately remembered that he was Myles from the duo. I had a blast rocking out to the young rapper himself – look out for him because he is definitely going places!

Following Myles was another California native, Luke Christopher. Personally, I’m not that familiar with the California rapper himself, but I really enjoyed listening to his raps. Some tracks that I enjoyed hearing was his cover of “You & Me (Flume Remix) and his flip on Odessa’s “Say My Name”, but my absolute favorite from him was his most known song “Bedroom Trip”. I love the trippy vibe the song gives and it definitely lit up the crowd for what was about to come next!

When Hoodie Allen hopped on stage, there were some different aspects of his set that I noticed. First off, he brought on a live band to accompany him, which I would’ve never expected from most rappers. Second, I usually expect lots of artists to start off their set with their most popular hit song, and for example, in this case, it would be “All About It”, featuring Ed Sheeran.

However, he started off his set with “Believe”, one of his songs from his new album Hype. I really enjoyed the live band performance that Hoodie gave – it was definitely a new perspective that was born. Since his tour is The Hype tour, focusing on his new album Hype, most of the songs that he performed were hits such as “Fakin”, “Know It All”, but he also threw it back and performed the hit “Act My Age” that was from one of his past albums People Keep Talking. Out of all the songs he performed on Sunday, my favorite song that he sang live was “No Interruption”, from his first album All American. Towards the end, he hopped into the crowd and crowd-surfed while flying around on a floatie, and I thought that was very enjoyable to witness and participate in!


Overall, Hoodie Allen is an enjoyable artist live – he really participates with the audience and makes his performances a ball of a time – and he’s also a cutie! If you’re looking for an amusing, chill artist to listen to with nothing extreme when it comes to live shows, Hoodie Allen is the perfect rapper for you!

A TWILIGHT ZONE: Joshy Soul / The Roots

A Twilight Zone, the chronicling of Salt Lake City denizens looking for music, adventure, & life at the Twilight Concert Series

Nick

The final show in the 30th Annual Twilight Concert Series. With news that there is no funding in the city art councils budget for Twilight next year, this may very well be the last Twilight Concert ever. Take my breath away and find it in the palm of your hand. DJ Scratchmo was the first act of the night. He played “Footsteps in the Dark” by The Isley Brothers, and then he played “It Was a Good Day” by Ice Cube, which samples “Footsteps in the Dark.”

I like it when DJs play songs that I recognize and vibe to. It serves two purposes: it makes me feel like I have good taste in music because the DJ’splaying songs I listen to. It also functions as a catalyst for making me like that particular DJ even more.

The next set was by Joshy Soul & the Cool. At this point, there was news that Charles Bradley had canceled. Despite the bad news, however, Joshy Soul put on quite the groovy set. Their original takes on popular songs made this Jazzy cover band very entertaining to listen to. I would either hear a melody or lyrics to
a song I recognized and that would catch my attention.The fact that they opened with a swing band cover of “Flashing Lights by Kanye West. By the end of their set, they had proved themselves to be one of if not the best local band featured at Twilight this year. Though they were not playing original songs, their original takes and overall connection and synchronization as a band made them very successful when it came to entertaining the crowd.

The Roots played next, one by one the band showcased all it was capable of. A breathtaking bass solo by Mark Kelley. Jeremy Ellis played a beat box solo that knocked my socks off. My socks were completely off for the remainder of the show. Black Thought spat some killer bars and Tuba Goulding Jr. did the tuba justice. Questlove, behind the drums, was wearing a dope shirt with a Pac-Man ghost and  doughnuts on it.

 

After they did a cover of “Sweet Child O’ Mine by Guns & Roses, the guitarist Captain Kirk Douglas turned out a solo that really made the crowd go wild.  This band is the epitome of soul. They really got the crowd moving, one man did two back flips. Looking back, I looked back at myself, while I was doing this I caught a glimpse of my left eye out of the corner of my right one. I saw what looked like me, looking sideways at myself. I was there looking at me and we decided to look away and gaze over at yours truly, I am still stuck like this now. The Roots took us back to before we were born. The Roots really brought us down to earth, and then into it. The show they put on was a truly wonderful experience.

 

Martyn

Finality is a strange event. An ending. Absolution. Maybe we’ve all learned something by the end of the perhaps final Twilight Concert Series and what would that have been? That the sun hates music and has some really nasty intentions when harping on concert goers? Questions will be deferred for another time while I reflect on how this, the final show brought to a culmination a seven week’s journey. From Little Dragon to The Roots, the experience has been solitary, inclusive, stressful, wonderful, and awakening all in seven weeks’ time.

The beginning of the night started per usual, albeit much less crowded and anxious for the opening band to begin. DJ Scratchmo held the crowd over a solid block of time, remixing classic hip-hop tracks and making the atmosphere come alive. The amount of people differed from previous shows, but perhaps that was only because one of the acts was not able to make it, leaving open a space to be filled.

Filled it was with the inclusion of Joshy Soul & the Cool. Local heroes of the funk scene in Salt Lake City, the band absolutely deserved the spotlight of opening for the main act. I’ve seen a few of the members playing in different projects throughout the city and the way the excellence of each musician added to the whole, with the main objective of fun. The crowd went wild for the fast songs and listened with intent to the slower ones. Joshy Soul himself is an immaculate performer, dedicated to giving the crowd an all-encompassing good time. After some fine solos from the saxophone player, the guitarist, and the drummer, Josh Soul & the Cool ended their set with nothing but good vibes.

I found myself holding a few too many bags of free chips (they were free) when The Roots were announced by the roar of the crowd. Pioneer Park was once again packed. Filled to the fences of fans and fun. With almost all space being accounted for, The Roots started playing, introducing themselves, going full on F U N K to the max. Someone led me through the throng of persons to the front of the stage, closer than I’d been at the others. With so much arbitrary shoving, I was forced to fling the chips into the crowd along with beachballs and hats and other items lacking enough importance to keep held. The Roots played magnificently as expected. Highlights include a solo by sampler Stro Elliot moving his fingers with rapid and deft precision across his board. There was never a lack of intense joy throughout the entire set.

And like that Twilight was over. It was a fine night. I became lost once again in a place familiar and strange. Some gossip suggests this would be the last Twilight Concert Series. I suppose its a possibility. But uncertainty can also be a very beautiful thing. Farewell and good night.

 

A TWILIGHT ZONE: Belle Jewel / Phoebe Bridgers / Cat Power

A Twilight Zone, the chronicling of Salt Lake City denizens looking for music, adventure, & life at the Twilight Concert Series

Sarah

I’ll admit, I wasn’t too excited for this week’s Twilight Concert. I didn’t know many of the acts, and the rest of my colleagues and I had been racing across military level obstacle courses since 7 am that morning (a compelling story for another time). However, this concert turned out to be one of my favorite Twilight experiences so far.

The first act was a girl named Belle Jewel. The first thing I noticed was her striking resemblance to the indie-pop singer, Bishop BriggsBelle sported circular glasses, space buns, and white overalls over a black shirt. The set was pretty simple; vocals and an acoustic guitar or keyboard, but her voice was extremely relaxing and beautiful.

Up next was Phoebe Bridgersa female indie-folk singer from California. Her set was nice, and like Belle Jewel, the songs were relaxed and helped to set the tone for Cat Power. However, I noticed thatthis Twilight concert had a much different feel compared to the previous show where Solange headlined. All of the acts had a maximum of 2 people on stage, and the songs seemed to be more focused lyrically compared to instrumentally. While it certainly wasn’t the concert to go crazy at, it was a nice change of pace for the Twilight concerts and provided a calm atmosphere to sit down and listen to some good music.

Finally, Cat Power took the stage to play a solo set with her piano and guitar. My friend and lovely DJ here at K-UTE, Tristan, and I sat down to talk and enjoy the show. We both immediately fell in love with her voice. It was heartfelt, vulnerable, and powerful all at the same time. Occasionally she would stop to apologize to the crowd for a technical difficulty or if she thought her vocals sounded off, but the crowd wasn’t having it. They applauded and begged her to keep going regardless of any mishaps because she sounded beautiful either way.

Martyn

And suddenly, it was another Thursday night speeding across the city to one of the most unexpected Twilight concerts. Cat Powers appearance was being touted as “(solo)” for weeks now and it piqued the interest of more than a few concert goers beforehand as to how Charlyn Marie Marshall (aka Cat Power) would fare filling up the usual park. It wasn’t so much a question of audible loudness, but the energy that came from the previous acts.

I arrived more than a few minutes late, missing out on Utah native Belle Jewel although hearing that she performed a nice acoustic set minutes before my estimated time of arrival. Apologies to her performance. I meandered inconspicuously, wondering about the previous few Thursdays, how they began becoming this culmination of the week’s events. It was also taco night in the sponsor tent, and again, lanyards grant immeasurable access. Events seemed fleeting, the sun set earlier than usual, and I readied myself for the processing of thought whilst watching a performing act.

Minutes after this awfully meta cognition covering some tired questions, Phoebe Bridgers came out onstage accompanied by her self-named friend from Los Angeles (he had recently moved). Phoebe was predominantly playing an acoustic while her newly-planted LA friend played electric guitar. It gave her a fuller sound than the regular acoustic pieces the crowd had heard with Belle Jewel. The songs were a genuinely nice fit for the rest of the evening. Only because the music was quieter, in this sense of instrumentation, the set does not disregard the level of affection from the crowd. Belle Jewel’s set went through endearingly nice banter with the crowd and this created a sense of intimacy that went beyond the usual venue accommodations for the distance between performer and audience. While many of the songs had a similar appeal, the performance managed to help set the mood for the headliner. It was also her birthday, but that could have been self-proclaimed hearsay.

Cat Power came out quietly under the purple lights and immediately began playing. Her soulful voice carried around the park, now late-night summer dark, creating a new Twilight Concert atmosphere. It was quiet, and it was less rushed than previous concerts. Cat Power played song after song, without the need or apparent want to elicit cheers from the crowd with banter or anecdotes. The whole solo aspect was immediately apparent, but Cat Power held the attention of onlookers by her talent for guitar playing and lyrics. Not necessarily lethargic but inherently laid back was the theme of the night. A break from the heat and rushing crowd of past weeks. I found myself walking out of the park, greeted by night and noise awash the background voice of this singer.

Photos by Morgan Parent