The Magic Of Music: Sam Lachow

Sam Lachow is a producer, songwriter, rapper, videographer, director, and editor of video and music.

Raised in both Seattle and New York City he’s been making videos since elementary school, and as a seventh-grader began a group called Shankbone. Sam began directing and producing music videos with Shankbone and went on to create videos for various other artists.

 

Then in 2011, Sam released his debut project as a solo artist, “Brand New Bike”. Produced entirely by Sam, the album utilized many live instruments from musicians based in Seattle and New York. The next year Sam released 2 EP’s and produced/directed dozens of music videos from the projects on his YouTube channel, which now has over 7 million views.

I had an amazing chance to attend his show with Rittz when they rolled through the Complex on November 9th to talk about his successes within his music. Check out the interview below!

First off, how are you doing? 

I’m doing so good, man! We just had a really great show at the Complex. The crowd was amazing – it was fun!

Glad to hear that! Do you like Salt Lake City?

I actually really do! I don’t like the weird laws, but it’s a beautiful place. The crowd’s always turnt up.

What inspired you to get into the rap game?

It started out as a complete hobby! In 6th grade, I started a band called Shankbone – it was me and two other Jewish kids because a shank bone is a Jewish dish! Then people started really liking it and that’s when I realized I was good at it. So I just kept doing it and then I went to college in New York, and at the same time, I knew I wanted to make music for a living.

When you got into rapping, were there any musical instruments that inspired you to do what you do now? 

I’m a drummer! I love live music so in my beats, I try to incorporate live music. But I’m not really good at any instrument, so I hire people that are really good at them and I tell them what I want. I was lucky to go to a high school where there was a great jazz band, so I know a bunch of incredible musicians.

Growing up, which artists did you look up to? 

For rappers, I’m a big flow man – lyrics are great, of course, but I’m into the flow. For example, you can’t write a good drum solo. I would say I look up to Notorious B.I.G. and Andre 3000! I also love Devin the Dude, who’s not as known, but his beats inspire me a lot.

Touring with Rittz, how does it feel? How did you gain the opportunity to join this tour? 

It’s not the most entertaining story, but we found out Rittz was going on tour and he doesn’t have a big following up in the Pacific Northwest, but my following up there is big. So we struck a deal with him that if I went on the tour, we would bring a shit ton of people out to the Pacific Northwest shows. Meanwhile, he has a huge following down here, and we had never met, we just talked online! But we decided to do it! He’s a cool dude though! He’s been in the game for a long time and he’s got amazing stories. I’ve been learning a lot from this tour!

Out of all the songs you produced, which one would you say is your favorite and why?

I go by what I still tolerate and listen to because I’ve heard my songs so many times. I love “Dreams of Gold” though because it’s just really good! I remember making it by a collaborative effort and it was a good time in my life!

If you were to give an aspiring rapper a piece of advice, what would you say to them? 

Make sure that it’s a complete passion! It can’t be something you’re doing because you want to become a famous rapper because that’s one in a billion. You have to do it because you love doing it. I would do it even if I wasn’t making a living for it. It would be something I would do all the time. Don’t think about making a bunch of money because fans can tell if you are making real music or if you’re just trying to be a “rapper”.

What was the most recent TV show that you binge-watched?

Curb Your Enthusiasm! It’s my favorite show! People compare me to Larry David a lot because random shit will annoy me. My dad reminds me of, Larry David!

Give Sam Lachow some love and follow him on all his social outlets!

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Hoodie Allen Hypes Up The 801 Crowd Sunday Night At The Complex

Straight ‘outta Long Island, New York, Steven Markowitz, aka. Hoodie Allen made a stop here in Salt Lake City to hype up the Utah fans on his “Hype” Tour.

The night involved lots of creative raps from friends, such as Myles Parrish and Luke Christopher, who are on the Hype Tour with Hoodie. Altogether, it turned out to be a lively night for the young fans in attendance.

The first act of the night was 25 years old, Myles Parrish, from California. Myles used to be active in the duo, Kalin & Myles, most known for their tracks “Love Robbery” and “Trampoline”. When he first came on stage, I couldn’t recognize him and I thought that he was just the average teenage boy wanting to pursue a rap career, but was succeeding at it. However, when he started to perform “Trampoline” on stage, I immediately remembered that he was Myles from the duo. I had a blast rocking out to the young rapper himself – look out for him because he is definitely going places!

Following Myles was another California native, Luke Christopher. Personally, I’m not that familiar with the California rapper himself, but I really enjoyed listening to his raps. Some tracks that I enjoyed hearing was his cover of “You & Me (Flume Remix) and his flip on Odessa’s “Say My Name”, but my absolute favorite from him was his most known song “Bedroom Trip”. I love the trippy vibe the song gives and it definitely lit up the crowd for what was about to come next!

When Hoodie Allen hopped on stage, there were some different aspects of his set that I noticed. First off, he brought on a live band to accompany him, which I would’ve never expected from most rappers. Second, I usually expect lots of artists to start off their set with their most popular hit song, and for example, in this case, it would be “All About It”, featuring Ed Sheeran.

However, he started off his set with “Believe”, one of his songs from his new album Hype. I really enjoyed the live band performance that Hoodie gave – it was definitely a new perspective that was born. Since his tour is The Hype tour, focusing on his new album Hype, most of the songs that he performed were hits such as “Fakin”, “Know It All”, but he also threw it back and performed the hit “Act My Age” that was from one of his past albums People Keep Talking. Out of all the songs he performed on Sunday, my favorite song that he sang live was “No Interruption”, from his first album All American. Towards the end, he hopped into the crowd and crowd-surfed while flying around on a floatie, and I thought that was very enjoyable to witness and participate in!


Overall, Hoodie Allen is an enjoyable artist live – he really participates with the audience and makes his performances a ball of a time – and he’s also a cutie! If you’re looking for an amusing, chill artist to listen to with nothing extreme when it comes to live shows, Hoodie Allen is the perfect rapper for you!

A TWILIGHT ZONE: Joshy Soul / The Roots

A Twilight Zone, the chronicling of Salt Lake City denizens looking for music, adventure, & life at the Twilight Concert Series

Nick

The final show in the 30th Annual Twilight Concert Series. With news that there is no funding in the city art councils budget for Twilight next year, this may very well be the last Twilight Concert ever. Take my breath away and find it in the palm of your hand. DJ Scratchmo was the first act of the night. He played “Footsteps in the Dark” by The Isley Brothers, and then he played “It Was a Good Day” by Ice Cube, which samples “Footsteps in the Dark.”

I like it when DJs play songs that I recognize and vibe to. It serves two purposes: it makes me feel like I have good taste in music because the DJ’splaying songs I listen to. It also functions as a catalyst for making me like that particular DJ even more.

The next set was by Joshy Soul & the Cool. At this point, there was news that Charles Bradley had canceled. Despite the bad news, however, Joshy Soul put on quite the groovy set. Their original takes on popular songs made this Jazzy cover band very entertaining to listen to. I would either hear a melody or lyrics to
a song I recognized and that would catch my attention.The fact that they opened with a swing band cover of “Flashing Lights by Kanye West. By the end of their set, they had proved themselves to be one of if not the best local band featured at Twilight this year. Though they were not playing original songs, their original takes and overall connection and synchronization as a band made them very successful when it came to entertaining the crowd.

The Roots played next, one by one the band showcased all it was capable of. A breathtaking bass solo by Mark Kelley. Jeremy Ellis played a beat box solo that knocked my socks off. My socks were completely off for the remainder of the show. Black Thought spat some killer bars and Tuba Goulding Jr. did the tuba justice. Questlove, behind the drums, was wearing a dope shirt with a Pac-Man ghost and  doughnuts on it.

 

After they did a cover of “Sweet Child O’ Mine by Guns & Roses, the guitarist Captain Kirk Douglas turned out a solo that really made the crowd go wild.  This band is the epitome of soul. They really got the crowd moving, one man did two back flips. Looking back, I looked back at myself, while I was doing this I caught a glimpse of my left eye out of the corner of my right one. I saw what looked like me, looking sideways at myself. I was there looking at me and we decided to look away and gaze over at yours truly, I am still stuck like this now. The Roots took us back to before we were born. The Roots really brought us down to earth, and then into it. The show they put on was a truly wonderful experience.

 

Martyn

Finality is a strange event. An ending. Absolution. Maybe we’ve all learned something by the end of the perhaps final Twilight Concert Series and what would that have been? That the sun hates music and has some really nasty intentions when harping on concert goers? Questions will be deferred for another time while I reflect on how this, the final show brought to a culmination a seven week’s journey. From Little Dragon to The Roots, the experience has been solitary, inclusive, stressful, wonderful, and awakening all in seven weeks’ time.

The beginning of the night started per usual, albeit much less crowded and anxious for the opening band to begin. DJ Scratchmo held the crowd over a solid block of time, remixing classic hip-hop tracks and making the atmosphere come alive. The amount of people differed from previous shows, but perhaps that was only because one of the acts was not able to make it, leaving open a space to be filled.

Filled it was with the inclusion of Joshy Soul & the Cool. Local heroes of the funk scene in Salt Lake City, the band absolutely deserved the spotlight of opening for the main act. I’ve seen a few of the members playing in different projects throughout the city and the way the excellence of each musician added to the whole, with the main objective of fun. The crowd went wild for the fast songs and listened with intent to the slower ones. Joshy Soul himself is an immaculate performer, dedicated to giving the crowd an all-encompassing good time. After some fine solos from the saxophone player, the guitarist, and the drummer, Josh Soul & the Cool ended their set with nothing but good vibes.

I found myself holding a few too many bags of free chips (they were free) when The Roots were announced by the roar of the crowd. Pioneer Park was once again packed. Filled to the fences of fans and fun. With almost all space being accounted for, The Roots started playing, introducing themselves, going full on F U N K to the max. Someone led me through the throng of persons to the front of the stage, closer than I’d been at the others. With so much arbitrary shoving, I was forced to fling the chips into the crowd along with beachballs and hats and other items lacking enough importance to keep held. The Roots played magnificently as expected. Highlights include a solo by sampler Stro Elliot moving his fingers with rapid and deft precision across his board. There was never a lack of intense joy throughout the entire set.

And like that Twilight was over. It was a fine night. I became lost once again in a place familiar and strange. Some gossip suggests this would be the last Twilight Concert Series. I suppose its a possibility. But uncertainty can also be a very beautiful thing. Farewell and good night.

 

A TWILIGHT ZONE: Belle Jewel / Phoebe Bridgers / Cat Power

A Twilight Zone, the chronicling of Salt Lake City denizens looking for music, adventure, & life at the Twilight Concert Series

Sarah

I’ll admit, I wasn’t too excited for this week’s Twilight Concert. I didn’t know many of the acts, and the rest of my colleagues and I had been racing across military level obstacle courses since 7 am that morning (a compelling story for another time). However, this concert turned out to be one of my favorite Twilight experiences so far.

The first act was a girl named Belle Jewel. The first thing I noticed was her striking resemblance to the indie-pop singer, Bishop BriggsBelle sported circular glasses, space buns, and white overalls over a black shirt. The set was pretty simple; vocals and an acoustic guitar or keyboard, but her voice was extremely relaxing and beautiful.

Up next was Phoebe Bridgersa female indie-folk singer from California. Her set was nice, and like Belle Jewel, the songs were relaxed and helped to set the tone for Cat Power. However, I noticed thatthis Twilight concert had a much different feel compared to the previous show where Solange headlined. All of the acts had a maximum of 2 people on stage, and the songs seemed to be more focused lyrically compared to instrumentally. While it certainly wasn’t the concert to go crazy at, it was a nice change of pace for the Twilight concerts and provided a calm atmosphere to sit down and listen to some good music.

Finally, Cat Power took the stage to play a solo set with her piano and guitar. My friend and lovely DJ here at K-UTE, Tristan, and I sat down to talk and enjoy the show. We both immediately fell in love with her voice. It was heartfelt, vulnerable, and powerful all at the same time. Occasionally she would stop to apologize to the crowd for a technical difficulty or if she thought her vocals sounded off, but the crowd wasn’t having it. They applauded and begged her to keep going regardless of any mishaps because she sounded beautiful either way.

Martyn

And suddenly, it was another Thursday night speeding across the city to one of the most unexpected Twilight concerts. Cat Powers appearance was being touted as “(solo)” for weeks now and it piqued the interest of more than a few concert goers beforehand as to how Charlyn Marie Marshall (aka Cat Power) would fare filling up the usual park. It wasn’t so much a question of audible loudness, but the energy that came from the previous acts.

I arrived more than a few minutes late, missing out on Utah native Belle Jewel although hearing that she performed a nice acoustic set minutes before my estimated time of arrival. Apologies to her performance. I meandered inconspicuously, wondering about the previous few Thursdays, how they began becoming this culmination of the week’s events. It was also taco night in the sponsor tent, and again, lanyards grant immeasurable access. Events seemed fleeting, the sun set earlier than usual, and I readied myself for the processing of thought whilst watching a performing act.

Minutes after this awfully meta cognition covering some tired questions, Phoebe Bridgers came out onstage accompanied by her self-named friend from Los Angeles (he had recently moved). Phoebe was predominantly playing an acoustic while her newly-planted LA friend played electric guitar. It gave her a fuller sound than the regular acoustic pieces the crowd had heard with Belle Jewel. The songs were a genuinely nice fit for the rest of the evening. Only because the music was quieter, in this sense of instrumentation, the set does not disregard the level of affection from the crowd. Belle Jewel’s set went through endearingly nice banter with the crowd and this created a sense of intimacy that went beyond the usual venue accommodations for the distance between performer and audience. While many of the songs had a similar appeal, the performance managed to help set the mood for the headliner. It was also her birthday, but that could have been self-proclaimed hearsay.

Cat Power came out quietly under the purple lights and immediately began playing. Her soulful voice carried around the park, now late-night summer dark, creating a new Twilight Concert atmosphere. It was quiet, and it was less rushed than previous concerts. Cat Power played song after song, without the need or apparent want to elicit cheers from the crowd with banter or anecdotes. The whole solo aspect was immediately apparent, but Cat Power held the attention of onlookers by her talent for guitar playing and lyrics. Not necessarily lethargic but inherently laid back was the theme of the night. A break from the heat and rushing crowd of past weeks. I found myself walking out of the park, greeted by night and noise awash the background voice of this singer.

Photos by Morgan Parent 

A TWILIGHT ZONE: CHOiCE / Kaytranada / Solange

A Twilight Zone, the chronicling of Salt Lake City denizens looking for music, adventure, & life at the Twilight Concert Series

Josh

Another Thursday night in the late summer means another edition of the Twilight Concert Series. This week the curators of the series managed to book modern R&B hero, Solange. The attendance was dense and eager for the show. The tension built with the news that Solange’s flight was delayed. A quick check of her Instagram story showed her still on a plane from Texas at about 9:30 pm. It wasn’t clear when they landed of whether or not her band and crew were also delayed. At about 10:05 pm it was announced that Solange had arrived and would be starting soon.

The audience moved closer as the set began. The band took the stage first. All of the members were dressed in red. Their attire matched the background of the stage, which included a large red circle piece in the background that appeared three-dimensional when the stage lights created shadows. This monochromatic theme put the visual emphasis more on the musicians and their movements.

Enter Solange. The crowd goes wild as she displays her subtle finesse in both her dance moves and her opening vocalizations.

The entire set consisted of artistic coordinated dance moves that varied with each song. In one instance the group lined up from tallest to shortest and continued to move the song along with hip swings and a smooth 80’s funk style “keytar” bass line. The audio side of things was delightfully crisp with amalgamations of genres including funk, jazz, R&B, hip hop, soul, and disco.

The band kept the audio effects to the minimum and as a result, the audience got a transparent wave of warm sonic bliss. I could pick out any instrument and enjoy focusing on its subtle nuances. The drummer was especially precise and smooth as he moved back and forth between a drum machine sample pad and his acoustic kit.

If I had to sum up the performance in one phrase, I would say it was like a combination of Talking Heads’ Stop Making Sense and a killer episode of Soul Train. Solange, like many modern artists, draws heavily from artists of yesteryear. However, the influences do not cross over into simple reactionary territory. Her work makes me excited for the future of music in general. Give her a listen; her work is worth much more than just the novelty of being Beyonce’s sister.

Sarah

As a music, theatre, and art lover, I have a special fondness of musicians who incorporate striking visuals and dramatic performances into their live shows. Solange is a prime example of this.

Everything was a bright and energetic red as Solange entered the stage to perform “Rise,” the first song off of her album A Seat at the Table. The song is simple and repetitive, which are words most artists don’t want associated with their songs, but in Solange’s case, the term “simple and repetitive” is a good thing. Her songs tend to be more poetic and intentionally repetitive to add to the meaning of the song itself, which is something not a lot of musicians can pull off elegantly.

Another thing that stood out to me about Solange was her soft and almost whispery vocals. However, while her voice may be soft, her lyrics are anything but. They’re powerful, political, and heartfelt. I rarely cry at concerts, but I’d be lying if I said I didn’t shed a few tears while listening to her perform “Cranes in the Sky,” with lyrics like: “I tried to drink it away, I tried to put one in the air, I tried to dance it away, I tried to change it with my hair.”

While professional photos weren’t permitted during Solange’s performance, the stage was quite a sight to see. The background was bright crimson with a reflective red circle in the center. Everyone, including the band, wore a red outfit, adding to the vibe of the show. While I’m not quite sure why the color was chosen, to me it felt powerful. It also certainly commanded the attention of the crowd.

Geoff

Twilight. I don’t think I’ve ever wanted to leave that big of a concert unconcerned about missing the headliner, and yet, there I was.

I heard a lot of hype about KAYTRANADA and honestly, I couldn’t have cared less. Awesome, another hip-hop producer. As if the thousands living in their parents’ basement wasn’t enough, they decided to put this guy on stage. What’s he going to do? Spend 30 minutes making a track for someone not to rap over? I was there for Solange.

After the admittedly solid DJ Choice finished her set, everyone seemed to be ready to explode for KAYTRANADA. These are my peers, other K-UTE DJs who definitely have decent taste, so maybe I should hear this dude out.

When he came on stage it felt like a crowd formed immediately. We wiggled our way into the middle and proceeded to jam for the next three hours as KAYTRANADA stood at his laptop bobbing his head. While he might not have been the best stage performer I’ve ever seen, the music was something else.

I don’t quite know how to put my experience into words, but here’s my best shot: His beats connected with me on a primal level as if despite its synthetic nature this was somehow going back to the music of my ancient ancestors. His vibe and groove seemed to hypnotize me and rest of the crowd. I danced, screamed, and at one point raised my middle finger and said “I don’t give a fuck!” all at his command. Motion was effort less, and somewhere a deep feeling of content arose within me. I was putty in KAYTRANADA’s hands, my actions corresponding to the buttons on his keyboard.

Unfortunately, a Station Manager’s work is never done and when I finally broke away something had changed in me. As I packed up our booth and lugged it back to the van I felt sad, I couldn’t focus on the music, now it was just a background track. When I heard the rumor that Solange was coming, just very late, I didn’t care. I had already gotten what I needed from this Twilight, my legs are tired. I’ve been up since 7, let’s go home.

Martyn

So there I was again, mingling amongst the Twilight crowd for the fourth time this year, not really knowing where to go at the moment or really if there was a where in which to go to. Suffice to say, perplexed‘. The crowd had grown massive in quantity of bodies compared to a few hours ago. Something about this concert. The mystique maybe? Solange‘s appeal? Either way, the first DJ, CHOiCE gave the crowd something to mingle and drink drinks and talk of probably hugely important affairs with one another. The rhythms were even throughout as if this DJ chose not to take choosy chances with more austere or different beats. Mostly it was the drums. Mostly, I felt as though I should wander over to the free food.

The free food being farther than I thought, I wandered blindly through the crowd (also known as the inevitable and incomparable smoke in my eyes and also I’m very short) until Kaytranada began his set. I watched from afar, eating pizza with a friend. This being the largest Twilight crowd so far (waiting with a stone’s patience for the delayed headliner) was a sight to see from far away. A mass of bodies, pushing out the parameters of fences and personal space to watch Kaytranada hover over his laptop. The visuals on the background movie theater screen were deftly impressive, moving from live action dancing to the swirl of incandescent warm colors in a kaleidoscopic swirl of a post-Y2K hypnotist. The Crowd (uppercased now in all its glory) felt strongly for Kaytranada, dancing, swaying, pulsing single hands attached to arms moving vertically in a calm frenzy of limber strength. An angel of a human next to me told me that this artist had played two of his favorite songs, “At All’ and “girl” which was produced for The Internet. People were blown away and the spirit of Twilight lived on.

Solange finally made her appearance after a few delays, bequeathing the stage and the crowd by dressing all in red with a lusciously red stage and accompanying dancers. She started slow and rose to a wonderful climax of music heard throughout the city. The noise ordinance was really disregarded for the best of reasons. Once again, after the music, after the sweat, and stress and noise and bumping into people, I had enough and awoke the next morning in this weird stupor.

 

Photos by Trevor Von Hake @trevorvonhake and Sarah Nelson @sarahnelson208

A TWILIGHT ZONE: Antibalas / Kamasi Washington

A Twilight Zone, the chronicling of Salt Lake City denizens looking for music, adventure, & life at the Twilight Concert Series

Sarah

One of my favorite things about the Twilight Concert Series is their ability to showcase so many different styles of music. While last week’s performance of Kurt Vile could be best described as more country-rock style music, Kamasi and Antibalas put on a show strongly rooted in jazz and afrobeat, but both very different in tone and feel.

Before them, however, was a local DJ named DJ Ebenflow who got the crowd bustling with an interesting mix of DJ beats and 20’s style music. Even though it wasn’t my favorite, I thought his unorthodox mixture of old and new music was very different and interesting to hear. Plus, his man-bun was quite beautiful.

After DJ Ebenflow, Antibalas came on. One of the first things I noticed was the sheer size of the band. There were sax players, guitarists, trumpet players, drummers, the list goes on… Then, the band’s lead vocalist Amayo entered the stage in an elaborate white outfit and a personality that immediately captivated the audience. He sang about themes like peace, love, and mother earth. Each song almost felt spiritual in a way, and you could tell that the band members and audience were both feeding off the crowd’s energy.

Sadly, I had to leave before Kamasi came on, but I had a chance to research his music when I got home. The first video that came up on Youtube was a song called “Truth.” Even though the song is 14 minutes long, I got chills within the first 3 seconds. Beautiful visuals, melodic jazz, and political undertones immediately elicits emotion from the listener, which is exactly what good music should do.

Jacob

It’s Twilight season! A busy and important man like myself unfortunately cannot make each show, so last week’s Kamasi Washington show was my first of the summer. 

Getting there as late as I did, the first opener, local cat DJ Ebenflow, was already mid-set. I had never heard of him, but he has a pretty strong following in Salt Lake City and after hearing him live I can see why. His electronic music pulls classic jazz and swing samples and meshes them with his own beats. The result is a unique sound that could belong in a carnival or an old silent movie. Introduce your ears to him with his ‘I love the swing!’ set. 

Next up was New York based Afrobeat band Antibalas. Man, these guys are funky. Even at the K-UTE tent I couldn’t stop dancing. These guys bring strong brass instruments and a great stage presence and make a genre that’s generally unpopular a fun, uplifting experience. At this point, the crowd is starting to build. I was pleasantly surprised by the amount of people that came out to a jazz show, and especially surprised by how the young the crowd was. Maybe millennials will do something cool with our time, and keep jazz from going extinct, eh?

When Kamasi and his band finally came out the crowd went wild. With two drummers, a stand up bassist, pianist, vocals, an eclectic group of brass with a trombone, flute, and soprano saxophone, Kamasi led the gang on his sax and they were loud. They really got the place rocking with some of their classics. Easily my favorite part of the show is when everyone went through their solos. Every musician rocked the stage for five minutes or so, and then left the stage to the two drummers. Their back and forth battle was insane. Both taking completely different beats and twisting them over each other in a frenzied harmony sent the crowd over the edge. No one could stop dancing, everyone was moving around and having a good time. One thing I love about Kamasi Washington and his band us that they can push a political stance with the peacefulness that jazz requires. This was definitely one of the best shows I’ve seen all year.

Martyn

Then it was Thursday again, already, and I made my way down to Pioneer Park for the first Twilight of August so underneath the sun (again, it’s clichéd already) I walked forward to the beginning of the show. Comparatively, and perhaps because of no local band to open, there were few people surrounding the outskirts of the wearisome stage. I moved on into some shade.

A DJ by the moniker of Ebenflow came on and gave the audience something to dance to. They did. It lacked a certain personal touch of a local band, but hey, the sunburns were worth it for those dancers. After a quick break, I found myself in the VIP section, sitting on a white chair instead of my usual pose of ‘my feet hurt’. Antibalas came out and absolutely had me throwing that chair out of my place so I could dance. The wonderful jazz/funk group came alive with so much energy, the music twisting with heat to create a lively, energetic performance. Soon enough though, Antibalas ended their set and the crowd was growing.

Calm again, I went back for more tacos (mostly no one was eating the delicious zucchini filling). Kamasi Washington quietly made his way to the stage to engage in one of the most full-sounding

Twilight shows yet. With his band and singer Patrice Quinn by his side, Kamasi had the crowd grooving and moving to jazz in huge numbers. For this, I went directly into the middle of the crowd towards the front because you can’t not be taken in by someone performing with this much personality and this much vitality. The music itself was not out of place at a show like Twilight. Nothing was out of place, really.

Photos by Trevor Von Hake @trevorvonhake

 

A TWILIGHT ZONE: Angel Magic / Xenia Rubinos / Little Dragon

A Twilight Zone, the chronicling of Salt Lake City denizens looking for music, adventure, & life at the Twilight Concert Series

Martyn

And so we’ve finally come to the beginning, ending a drought of park concerts since around this time last year. The Twilight 2017 Concert Series has commenced and the musical acts ushering in these ultimate days of summer played one exemplary opening concert. To my and other’s disbelief (or relatively minimal confusion as to ‘why?’), this was my first Salt Lake Twilight concert as I only started listening to music in the most recent past. 

Having satiated my hunger and finding a water bottle for the evening from a friend, I received my lanyarded pass and walked towards the entrance with strides on lanyarded confidence. Inside, the sun cast an oppressive glow on the field as the opening band Angel Magic began to set up.  A local dream/synth/pop band given this Twilight spotlight is a quantifiably gargantuan opportunity and their sound carried wonderfully through the park. This was obvious because several fans were encouragingly shouting ‘your sound carries wonderfully through this park!’. Technical errors aside (a keyboard ran out of D batteries (PSA please carry D batteries)),  Angel Magic’s dreamy vocals and musical arrangements were able to make the crowd dance and behold! the keyboard still worked on the batteries running dry.

Around the time the next artist,  Xenia Rubinos, took the stage, there was the aforementioned and highly looked forward to twilight setting in and around Pioneer Park casting a steady glow amongst vendors and patrons. I hadn’t listened to her music so my expectations were set in absentia, and although the music lacked a certain solidarity of form, Xenia and her band put on an impressive set. Her movements were, as a friend put it, ‘a whole body doing a jazz hand’. I then tried my own turn at this dancing and fell over. Xenia’s lyrics repeated strong themes of identity and her powerful clear voice made the music second to what she was saying. It worked in synchrony.

Headliners Little Dragon were finally taking the stage in a grand entrance of ethereal proportions. With her large headdress (matching her fingernail color mind you), lead singer Yukimi Nagano looked majestic and overwhelming. Ushering in their set with a newer song, “Celebrate”, the rest of Little Dragon was pure dance magic. Lights, motion, and song blended into pure ecstasy emotion. The band played wonderfully from start to finish with a neon glow of orange surrounding Yukimi’s headdress. I wandered ethereally between the crowd and food trucks on the fringes of the crowd and felt at peace.

Little Dragon finished their set with much longer remixes of their music which ignited the atmosphere around the stage. Once it was over, I walked out in the Salt Lake City night, wondering if anyone still had water. Settling for an answer of no, I descended into the city, awaiting the next show.

Nick

The stage is set, I can tell the crowd is charged up and the show hasn’t even started yet. Twilight is really incredible to have local artists at the top of their shows, it gives us something to connect with as a community. Tonight’s local spot light was Angel Magic. Their music has gumption, very fun synths, reverberating vocals, and emotionally charged expression. The duo are solid performers, focused on their craft. Angel Magic could be music for ethereal exposes. It was a very beautiful day, a nice billowing sky provided ample shade on a hot afternoon.

Then Xenia Rubinos came on. What a nasty groove that lady has got in her. Everyone in the front row lost their entire heads of hair. I don’t know if it was radiation from the UFO or excessive head banging. It may have very well been the way Michael Bouchelli kept on slapping the bass like he was mad at it. Xenia gave us a rap in Spanish. The drummer rewired his drums and changed up his sound. I’m not sure what this technique is called. It sounds cool though. Xenia is very multi talented. Playing the keyboard and singing. So much soul in this band. She was unstoppable sporting an all purple jumpsuit cinched at the waist with a fabulous belt. Xenia Rubinos finished off with vibing and some funky rapping.

After a minute the clouds got thick and a warm mist filled the crowd, It was time for the Swedish-based band Little Dragon, adorned in a thin red silk sheet Yukimi Nagano entered, with cool drummer Erick Bodin, slick bass player Källgren Wallin and Håkan Wirenstrand killing it on the keyboards. Excellent progression, incredible drops, and beautiful distortion of lovely bells. It makes one feel like they are at home and comfortable. The ground opened up beneath us and swallowed the whole concert. As we fell into the eternal abyss of night Little Dragon did not skip a beat. They proceeded to play their whole set as we fell together. Twas’ very good! Folks dancing, falling. We landed in a different location than when we started and we all had to go with it.

What a fantastic evening of fun and music. We’re all looking forward to what the next concert of Kurt Vile & the Violaters will bring, and what chaotic beauty Twilight has in store.